Category: Social Media Escape ClubCategory: Social Media Escape Club

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1. PROVIDE A GREAT NIGHT OUT

I found this clip of Quentin Tarantino railing against the current movie industry, via Ted Gioia’s “The Infrastructure of the Recording Industry Is About to Fail.”

Making movies is a much lower priority. Films are just too risky—especially anything fresh or different or daring.

It’s gotten so bad that filmmaker Quentin Tarnatino now says that he would rather write a stage play…

What I love about this bit is giving the audience a great night out.

Yes, it’s always about the art, of course.

But putting your art into a new setting (in this case, Tarnatino doing theater), makes for a great experience for the audience, which is energy, which is what any artist wants to feel when displaying their work.

Below you can see olivia rafferty performing at a museum in front of a T-Rex.

Playing in a museum on a Friday night is not the same as playing a bar on a Friday night. Put your work in front of different crowds and see what happens.

Where can you showcase your magic in a new way? How can you go about displaying your work in front of people more willing to accept it?

2. REGISTER FOR MY ABOUT “ABOUT PAGES” WORKSHOP!

◼️ Feb 13th at 2pm EST

◼️ FREE with a “Pay What You Want” option if you’d like to support this work.

3. RECREATE EVENTS IN YOUR SPACE

Tim McFarlane Studio was part of Tiny Room For Elephants (TRFE) in Philadelphia, PA in years past. It was an event that combined multiple artists making work while musicians and DJs and producers performed live at the same time.

Tim brought elements of that into his own studio by inviting local producer / musicians into his studio to make music while he made art.

Read all about it here.

Are there ways you can combine your work with someone else’s work?

4. MAKE YOUR OWN TWITTER

I read Hacker News because I have a geeky computer background (anyone remember the HotDog HTML editor?), though honestly these days I don’t understand 80% of anything on there.

That said, when I saw ‘The Debian Publicity Team will no longer post on X/Twitter’ I knew I had to check it out.

Turns out they made their own Twitter-like feed on their own website, where they can post all their bits and bops (they called it “micronews”).

You can have a section on your own website, with your own domain name, where you can post your thoughts, and dreams, and links to cool things, and embed fun videos.

Don’t make your fans visit toxic platforms to find your regular updates, but instead invite them to your website.

1. Skip the self-checkout

This came up in our Escape Pod Zoom call this week, as a way of breaking away from our isolation and the ease of “not talking to others.” If you’re able, stand in line and wait (maybe without looking at your phone), and make small talk with the person helping you. I did this a few hours after our call and it was a delight.

“Buying things in stores is a simple trick I use to spend more time offline and increase my chances of chatting with real humans. Win-win. Nobody said real life would be easy.”

From Mehret Biruk’s ‘How to live without social media.’

Q. Could making small talk help us get better and talking about our own work in bigger settings?

2. About Page collaborative workshop?!

I’m thinking of making a collaborative workshop, instead of me just blabbering on for an hour.

Talk for a bit, we work together, talk for a bit more, share our work… if that sounds like a productive use of your time, click here to add your name to the wait list and I’ll let you know when it’s ready to launch.

P.S. this will be for your about page anywhere, not just on Substack. Your website also needs a nice about page!

3. Trust that the kids are alright

Kamilah Jones of Hard Decora passed along this video after this week’s Escape Pod Zoom call, basically telling me “don’t worry, the youth got it!” I’m a believer.

Q. Are you comfortable saying you’re an artist, and not a content creator?

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◼️ JOIN MY WEEKLY ESCAPE POD ZOOM CALLS

Next call is Thursday, January 16, 2025 at 2pm EST– click here for more info.

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4. Make it easy for people to contact you

This advice might not be for you you, and that’s fine – skip this and have a great weekend!

Sending an email to someone whose work you admire feels good, and it can sometimes lead to opportunities.

But I bet if you start doing this you’ll run into a common problem – most people don’t list their email address anywhere.

There may be reasons for this, notably avoiding harassment from creepy men (SIGH), but… if you’re up for it, try to have an email address that can receive inquiries from other artists, companies, art directors, and more.

Yes, DMs on social media can work, but not every artist, company, or art director is hanging out on social media everyday, but they’re all checking their email around the clock, I assure you.

So, be reachable. Have an email address. Make it easy for people to say they like your work, give you money, and/or hire you.

A client who has worked with some wonderful people is building an email list from scratch.

Typically this could mean sending a boring email to “all your contacts” saying, “hey, I have a newsletter now, please subscribe.”

Instead, I suggested they think of the amazing people they worked with throughout the years, and think of all those stories you shared, and the memories you’ve made. They’ve got to have dozens of those stories to write, right?

So write that post, with that one person in mind. Once published, send that person a link to the piece.

Maybe they subscribe, or at least reply and you two catch up, and who knows where that leads?

It’s not always about getting 100 new subscribers. Sometimes the right message to the right person at the right time is all you need.

Got this great question from Christy, a fellow writer on Substack; why spend money on something that’s not doing anything for you in the moment?

My thinking is that Substack could go away tomorrow. I’ve seen a lot of people say, “I’ve stopped paying for my website and moved everything to Substack.” But Substack is something you don’t pay for.

For example, I paid $430 a month for Bench to do my bookkeeping and taxes every year, and they just disappeared one Friday. They came back, but it was not a comforting experience. The same could happen with Substack, Medium, or any other platform. What if these sites go away? I’m terrified that my best work on Social Media Escape Club is only on Substack. If Substack shuts down or I leave the platform, where does my body of work go? It’s gone.

I’ve experienced this before. I sent over 1,000 newsletters for Skull Toaster, my metal trivia project, and now they’re all gone. They were in MailChimp or people’s inboxes, but there’s no archive. My music blog, which I started in 2001 and ran through 2008, is all gone too. That’s why I believe in having a website as an archive of your work.

A website can also replace the feeds we use on Substack Notes or social media. Instead of sharing off-the-cuff thoughts on those feeds, post them on your site first. For example, I visit Seth Godin’s blog every day because I know there will always be something there. Imagine people coming to your website to see what you’re up to—because they know that’s where your best work lives.

Ultimately, having a website ensures your work doesn’t vanish when a server shuts down or an account gets deleted. It’s time to rethink how we use websites: put your best work there first, then share it elsewhere. That’s my two cents.

“I should stab you!”

That’s what an old man on the trail said to me today, after I defended myself from his three unleashed dogs with my hiking poles.

I don’t care how “friendly” your dogs are, but loud barking and encircling me doesn’t feel friendly. Keep those pups on a leash.

See, it only takes one person to ruin your afternoon, right?

But, the opposite must be true.

It only takes one person to make your day.

That’s how we’re jumping into today’s FOUR THE WEEKEND (and don’t worry, nobody got arrested).

1. Imagine your website as the center of your online world

What if your website was the first thing you checked in the morning?

Maybe some new email subscribers came in? A few sales? A post from three weeks ago got a spike in traffic?

What if you uploaded your latest photo, with a 30 word caption?

What if you shared a snippet from your new track?

What if you posted a video of your studio space?

This is the sort of “content” we post on various platforms to pull people into our world, and then when people finally visit our website it’s just a static page with some links to other platforms, and maybe a year-old About page.

Are we building a world on platforms we don’t control without solid ground under our feet? All our art might be on a singular platform, but what happens if your account get suspended, or the site goes down for two days?

Where do people find us when the outposts we’ve been working on for years go away?

Q. What if your website was the first thing your fans checked in the morning? What would that look like? What’s a website you check everyday?

2. Sign up for my About page workshop

Yeah, I’m talking about this again! Lots of you downloaded my ABOUT PAGE PDF in a previous email, so I’m going to do a mini-workshop this month or next. Click here to add your name to the wait list and you’ll be the first to know when it launches.

3. Reach out to people

I spoke with 

Frederick Woodruff about escaping social media, and one of the ways a friend of mine keeps meeting new people without being on any platforms. Watch the 1+ hours video here.

We spoke about this in yesterday’s Escape Pod Zoom call – one person can change your life, get you that gig, teach you that skill, open your eyes, and more.

Cassidy at 

Dedicate Your Life To Music said this, too:

If we want to have professional careers as musicians, we do not focus on platforms.

We focus on people.

Platforms are tools.

People are the goal.

Read more here at ‘What Platform Should Musicians Focus On In 2025?’

Q. Do you have a few people who support your work no matter what? Are you that person for someone else?

4. Craft your own KPIs

This from Matilda Lucy:

“Get clear on why you’re building what you’re building and what success looks like to you. If (like me) you love experimenting and tracking, create a KPI dashboard with your own success metrics beyond CAC and conversion rates.”

I made a dashboard for my running in 2024. Most of the run tracking apps are big into speed and pace, but I wanted to keep track of ELEVATION.

How many feet can I climb in one year?

Well, in 2024 I climbed 83,193 feet.

I would head to the hills a few times a week. The most in one day was 1,728 feet, and one week I climbed about 4,500 feet.

Jim is a trail running legend around here. You know how many feet he climbed in 2024?

1,205,015.

Yeah, over a million feet!

For both of us, that amount of running takes time, but we adjust our work schedules around this wild pursuit. More climbing meant we were setting some good boundaries and doing our best to not spend too many hours on the laptop (or staring at our phones).

Q. What’s a KEY PERFORMANCE INDICATOR that you can set up for this year? Is there anything you could do a million of?

Have a great weekend, everyone. Stay safe. See you all on Monday.

//SETH