Category: Email MarketingCategory: Email Marketing

I got a newsletter awhile back from a talented musician, and they casually mentioned they’ve got new music available, but if you want to hear it you need to reply to the email.

In one our Escape Pod Zoom calls someone mentioned how they leave “easter eggs” in their newsletters, usually a phrase that someone needs to include when they reply.

Parker Gates sent me this link (it’s an Instagram link, sorry!) about artist Jon Bellion and how he sent his fans to websites without linking to them (they had to type them into a browser from a screen shot), used message boards, and sent out music via WeTransfer.

Don’t just wonder who your biggest fans are – send them on adventures and see who makes it back alive.

Stuff we covered from a recent Office Hour Substack Live:

• The “boring stuff” that actually moves your career, like emailing people, following up, doing the unsexy work that compounds.

• Stop worshipping social platforms. Algorithmic reach is terrible, 90% of your audience doesn’t see your posts, email beats everything. RSS is even better.

• Audience-building for musicians. Embed your music, play live, collect emails in person, nurture your actual fans, don’t drive traffic to Spotify or YouTube.

• Let people pay you in multiple ways. Use Patreon, Ko-fi, PayPal, Stripe links; don’t make anyone jump through hoops to support you.

• Local, in-person proof builds trust — photos of real events, showing up in the world, and letting that strengthen the online side of your work.

Saw this at the bottom of The Oatmeal’s very excellent post “A Cartoonist’s Review of AI Art.“

As I said back in 2023, “stop telling fans to follow you on platforms that are built to limit your ability to reach them.”

If you (or the Oatmeal) drive 1,000 people to Instagram and they all follow you, you’ll be lucky if 100 of those people see your next post.

So why not just focus on getting 100 new email subscribers? That’s a lot easier than trying to update several other platforms just so 90% of your followers won’t see your latest stuff.

Amelia Hruby of the Off The Grid podcast was our guest on a recent Escape Pod Zoom call, which is 1/3 interview, then 2/3 community Q&A, and that’s where this question comes from, and I think apples to many art forms aside from podcasting!

How did you build the audience for your podcast without social media?

“The way I have built the audience for my podcast has largely been relational. Even in Season 1, I had on guests, and they liked the show, and they told more people about the show, and those people told more people about the show.’

This is definitely a variation of “getting awareness off our plate,” in that maybe we don’t need to spend so much time making social media assets or posting on several platforms to get the word out. This way we’re spending our efforts making great work that people want to be a part of, rather than trying to post our way to greatness.

It’s also important that your podcast has a focus, as Amelia explains:

“I work on a lot of podcasts, and what I will say with so much love to everyone who has a podcast is that most don’t have a clear premise, and they don’t really know why people should listen. Many people make a podcast because they want to make a podcast, which is beautiful. But people listen to a podcast because it’s giving them something—entertainment, education, or in my case, a space for people who don’t want to be on social media but still want to make money from their art. They stay because they feel so seen.”

Get on Amelia’s waitlist to be notified when her new book “Your Attention is Sacred Except on Social Media” is available for pre-order!

I got to be a guest on the Off The Grid podcast – a dream come true!

We spent this episode tracing our 20+ years of being online, from back in the days of AOL and Tumblr, through the chaos of Twitter, and into today’s mix of Instagram, TikTok, and Substack. Yikes!

“We were doing things that just were interesting to some people, not 10,000 people, whatever. I didn’t have a massive following or whatever, but it was enough to like get neat conversations going.”

Along the way we talked about how our early internet experiments shaped the work we do now, like when Ameila left social media years ago:

“When I left social media in 2021, people thought I was going to be back. They were like, ‘This is not a viable option if you want to be a small business owner and I proved them wrong.’ … But in 2025, everyone’s like, ‘Oh yeah, we all got to get off social media.’ Like, nobody questions it anymore in the way that I used to face a lot of fear, anxiety…”

We also talk about the importance of having a website, and how email became the lifeline for our creative projects. I also shared why I shifted my paid subscribers off Substack, what worked, what didn’t, and some lessons learned about paywalls.

Amelia Hruby, PHD will be our special guest on Thursday’s Escape Pod Zoom call with Social Media Escape Club Members. Start your trial membership and join us – details here!