Category: NewslettersCategory: Newsletters

Had a fun Social Media Escape Club Zoom hang this week (become a trial member and come to the next one).

This week I got us started riffing from Seth Godin’s recent quote, “Your (current) customers need to bring you your (new) customers.”

Through our 30 minute conversation we got on the subject of hyping new projects, and asking our fans to click to check it out, or subscribe. You know how it goes.

And well, sometimes the “check out my new thing” don’t resonate with our fans, as Robin Yang talks about here:

“Seth and I were in a LinkedIn class,” says Robin. “It’s about providing value, right? People aren’t going to do the thing that you want them to do unless they understand what they get out of it, right?

And so if it’s like, “oh, I have a new Substack over here.” But it’s like, why does that matter to me?

And some people have enough of a fan base that inevitably some people will follow them. Like, I’ve always loved whatever Seth’s doing, I’ll follow him till the end of… which like, I think we all will have those “true fans.”

But maybe the majority of your audience is like, well, “yeah, he’s like a good guy, I really value the content that he delivers in his new newsletter here. Why would I… what is he doing with his new social network?” Right? Like, why would I follow him on TikTok? (laughter ensues)”

This is why if you need to have a plan if you’re looking to get away from social media.

Telling your social media followers to sign up for your newsletter won’t get you far.

Sure, like Robin said above, some of your true fans may subscribe, but you’ve got fans at so many levels.

Remember to ask yourself, “what’s in it for them?”

Put yourself in their shoes,

Say, “follow our adventures as we leave for tour in a month. Sign up so you don’t miss a single photo of our adventures. Sign up so you, you don’t miss out on all our crazy tour stories.”

There’s a reason media outlets ask, “got any crazy tour stories?”

It’s because stories sell. Stories are what make movies!

Tell stories, not updates.

If you get engagement from a certain type of photo you post on social media, tell your followers they can get more by visiting your website, and subscribing to your newsletter.

If you get great feedback from your Twitter rants, consider putting more of them into your newsletter. Ask people to subscribe so they don’t miss any.

Maybe you stream tutorials online for everyone for free. That’s awesome, but remember, you’re making money for Zuck and Musk with each on of those! Ask your fans to subscribe to your email newsletter, and then link folks to your own video stream that corporate dorks don’t get to monetize it.

You’re watching this video on the new Social Media Escape Club.

A minute ago we were HEAVY METAL EMAIL, but now it’s Social Media Escape Club.

I thought long and hard about that, and I realized no one cares. I could name this thing Zip Zorp and you’re gonna either read it or you’re not gonna read it.

No one’s thinking about this stuff as much as I am.

So – welcome to the Social Media Escape Club. Make yourself at home.

(more…)

“You don’t need to reach a million people all the time. You don’t need to reach a thousand people all the time… one person can do it.”

This video centers on a simple but easily forgotten idea: impact doesn’t come from scale first—it comes from attention landing in the right place.

After talking with a longtime musician who quietly kept sending extreme metal records to college radio, the result surprised him. Once a station latched on, everything changed: “now instead of playing to old dudes with their arms crossed we’re playing to young kids who are going crazy.”

The lesson is this: “just because a thousand people didn’t see your thing, maybe one person that someday can do something with that is the person that you need to constantly be putting that in front of.”

You won’t always know who they are, but that’s why you keep going.

Approach your social media and email newsletters like a DJ.

A DJ doesn’t open the set with self-promotion; they give the audience a carefully chosen playlist of music, drawing from various sources, sounds, and eras.

Similarly, you can blend your influences and experiences into a cohesive online presence for your audience.

Plan ahead and schedule social media posts on specific days. Set a rhythm for your posts, and tastefully repeat announcing your new songs, tour dates, and upcoming events.

We do this because, “if your social media posts are seen by less than 3% of your followers, that means over 97% of your fans didn’t see it.”

Now, when a DJ is sourcing music for a mix, they draw from their own collection, along with new material. Random discoveries from other mixes.

In a way you’re probably already doing this.

You’re sending new music to your friends, and going to shows.
Dropping links to music videos in the group chat.
Talking about upcoming shows in Discord, on social media, in person.

You’re more of a DJ then you realize.

Your “online presence” is your existence in the digital space, so keep it authentic.

Use your good taste and share that with your audience. Tell them the new album you discovered, the old album that moves you to tears, a book that inspired your creative journey.

This makes “marketing ” feel less gross because you’re just being yourself, reshaping the conversation into whatever online container you happen to inhabit.

Social media can be a full-time job – if you let it become a full-time job.

Let me explain Parkinson’s law; “work expands to fill the time allotted to it.”

So if your online marketing plan is just, “ehh, whenever I get to it,” great – you’re now a full time social media person.

After all, you’ve set no boundaries or limits. You get to always think about social media, and fret about if you’re doing enough, and if you should post something.

“Oh man, I haven’t posted on Facebook is weeks!”

Instead of that amateur-hour nonsense, set up a plan that fits your life, since you probably have better things to think about than social media.

Open up Google Calendar, we’re going to create an “editorial calendar.”

If you’ve got a new song coming out, put that in there.

Now, plan a social media post two weeks before that date.

Then seven days. Then three.

Oh, the new song is out! That’s another post.

Now, plan a post for three days after it comes out.

And seven days.

And 14 days.

Your numbers may vary, but you get the point.

Go into Twitter, write out your posts, include an image, and schedule them.

Use Facebook’s Business Manger thing and do the same to schedule posts on Facebook and Instagram.

Congrats! That’s the bare fucking minimum to have a seemingly active social media presence, and 95% of bands in your scene can’t be bothered, so you’re a star.

But what about when you don’t have a new song coming out, or a new tour?

Figure out what major holidays are coming up, then plan a post around something that matches the vibe and feel of your creative endeavor.

57 days til Halloween! Spooky things! Horror movies!
79 days til Black Friday! Special deals!
112 days til Christmas!

You get the idea.

Or search “[genre] albums released in 2013” and find albums that are 10 years old (or 15, or 25).

Write about your favorite albums on your website, link to it from you social media platforms, and in your newsletter.

For example, ‘Surgical Steel’ from Carcass came out September 13, 2013.

Instead of just writing your homage to this epic album on Instagram, put it on your website instead.

Then, on September 13th, tell your followers on socials to read you post on your website (that’s what Loudwire will be doing).

Send the link to your email list, too.

You can do that with movies, books, shows you went to, albums you’ve released, and all sorts of various other milestones you’ve had in your career.

Now, when you sit down and write out these ideas, it makes your “content creation” a lot easier, and the job takes less time.

You’re not just throwing shit at the wall and hoping something sticks. Instead, you’re being deliberate.

You can take an hour a week, write some stuff, schedule it, and be done. DONE.

Then, since you’re putting out solid stuff, it just makes it easier for your audience to click, comment, react, and subscribe.

And it’s also how you keep from making social media your full time job.