Category: WorkCategory: Work

Booking gigs in 2025 isn’t rocket science. You don’t need to outrun a bear, you just need to run faster than you friends.

Bookers get buried under a gajillion emails a day, and they’re not wading through your 10 links to find your music. If you want better shows, you need to make their life stupidly easy.

1. ONE LINK
   Your job is to get your music in front of a booker fast. One link. your site. Your best stuff at the top. No scavenger hunt across Instagram, Dropbox, WeTransfer, whatever. Don’t send them to a platform that forces them to scroll — they won’t.
2. REMEMBER THE BASICS ON YOUTUBE
   YouTube is the biggest music discovery engine on the planet. Bigger than every social platform combined. If someone finds you there and actually likes your work, don’t make them guess how to reach you. Put your damn email in your About section. Baseline professionalism.
3. JUST BE COOL
   This game runs on relationships. If you’re a pain, it doesn’t matter how good you are, nobody wants you on the gig. But if you’re solid, kind, and easy to work with? You get invited back.
   Don’t be a punisher. Show up in your local scene. Talk to people. Support other artists. Build real friendships.

Before you get to 1,000 true fans, try getting to 100. This from Mariah Friend:

Shout out to Seth Werkheiser for constantly reminding me that real connection + relationships trump the social media algorithms time after time.

Last week, I published my debut novel, The Pattern Shop and personally reached out to 100+ people to celebrate and offer them gratitude for being a part of my journey.

Do you know what happened?

Over a third of those people bought books. That’s 30% compared to the average social media conversion rate of 3%.

She goes on to say that it’s not just about sale, but “it’s about the conversations I had with friends I hadn’t spoken to in years.”

I saw someone marketing their music production services in text, outlining the discount, the expiration of the offer, and who might be interested.

No evidence, just details.

Their website showed the albums they worked, a display of musicians who trusted them with their art, their vision.

That’s evidence.

Along the same line are folks who offer 1:1 coaching calls, which is something that’s built on trust. It’s hard enough to get on a Zoom call with someone you know, right?

That’s why I put a video on my 1:1 booking page, and I tell clients to do the same.

Show evidence of how you talk. Your cadence. Your tone. Make it wonderfully obvious that you’re someone they can trust enough to hit “book a call.”

You don’t need more details, you need more evidence.

From “Don’t Build an Audience,”

“There are two ways for your content to gain immediate traction: somebody references it or an algorithm serves it. Both provide liquidity to your content, distributing it to interested consumers.

If you write something amazing, a few emails to some key people in your field is all you need to start this process.”

You can make things that people want to share with their friends, but don’t fall into the trap of making work just to please an audience.

Just make sure the work you’re making is warming your soul, first and foremost. Then, just keep making cool stuff, show it to your friends, over and over again.

From a Substack Live I did on Sunday, Nov 30th. Welcome to a very serious intellectual exercise, where I open postcards on the internet.

Okay, yes… it’s a live “unboxing,” but really it’s a peek into how Noah Kalina treats his Patreon supporters, and why his whole setup is basically a masterclass in how to make the internet work for you instead of draining your soul.

We use Noah’s approach as a launchpad to talk about other questions from creative people, like selling online with Gumroad or Big Cartel. And then we get into how a beginner can spin up a clean, one-page CV site with Carrd or Notion.