Category: Social MediaCategory: Social Media

Rigid publishing schedules and timelines are the teachings of the techbro industrial complex, the unholy trinity of The Data, The Device, and The Distraction.

Social media was a job we never signed up for, a part time gig to appease the algorithm. Displease the platform and you’ll be banished from the feed.

Yet I talk to many creative people who’ve stepped away from the social media circus and they’re doing fine. People who’ve left tech jobs and done okay. People who’ve left the hustle Olympics and realized there is life outside the algorithm.

As Erin Shetron said, daring to “(imagine) what devotion to craft can look like outside of platform demands.”

Instead of getting more subscribers, what if we focus on getting better?

Without a map, “better” becomes difficult to find. Without external validation or “engagement,” we’re off the hook – who can blame you for throwing in the towel?

But like my buddy Sean Cannon said on a recent Escape Pod Zoom call:

“All you have to do is just be 5% better than everyone else who’s really bad at it. You don’t have to get everything perfect… you just have to be a little bit better so you can survive the war of attrition.”

This doesn’t mean you have it all figured out, it just means you have the chance to figure it out because you didn’t burn out and give up.

Amelia Hruby of the Off The Grid podcast was our guest on a recent Escape Pod Zoom call, which is 1/3 interview, then 2/3 community Q&A, and that’s where this question comes from, and I think apples to many art forms aside from podcasting!

How did you build the audience for your podcast without social media?

“The way I have built the audience for my podcast has largely been relational. Even in Season 1, I had on guests, and they liked the show, and they told more people about the show, and those people told more people about the show.’

This is definitely a variation of “getting awareness off our plate,” in that maybe we don’t need to spend so much time making social media assets or posting on several platforms to get the word out. This way we’re spending our efforts making great work that people want to be a part of, rather than trying to post our way to greatness.

It’s also important that your podcast has a focus, as Amelia explains:

“I work on a lot of podcasts, and what I will say with so much love to everyone who has a podcast is that most don’t have a clear premise, and they don’t really know why people should listen. Many people make a podcast because they want to make a podcast, which is beautiful. But people listen to a podcast because it’s giving them something—entertainment, education, or in my case, a space for people who don’t want to be on social media but still want to make money from their art. They stay because they feel so seen.”

Get on Amelia’s waitlist to be notified when her new book “Your Attention is Sacred Except on Social Media” is available for pre-order!

I got to be a guest on the Off The Grid podcast – a dream come true!

We spent this episode tracing our 20+ years of being online, from back in the days of AOL and Tumblr, through the chaos of Twitter, and into today’s mix of Instagram, TikTok, and Substack. Yikes!

“We were doing things that just were interesting to some people, not 10,000 people, whatever. I didn’t have a massive following or whatever, but it was enough to like get neat conversations going.”

Along the way we talked about how our early internet experiments shaped the work we do now, like when Ameila left social media years ago:

“When I left social media in 2021, people thought I was going to be back. They were like, ‘This is not a viable option if you want to be a small business owner and I proved them wrong.’ … But in 2025, everyone’s like, ‘Oh yeah, we all got to get off social media.’ Like, nobody questions it anymore in the way that I used to face a lot of fear, anxiety…”

We also talk about the importance of having a website, and how email became the lifeline for our creative projects. I also shared why I shifted my paid subscribers off Substack, what worked, what didn’t, and some lessons learned about paywalls.

Amelia Hruby, PHD will be our special guest on Thursday’s Escape Pod Zoom call with Social Media Escape Club Members. Start your trial membership and join us – details here!

Putting our best work on platforms we don’t control, or which most of the world won’t see, might not be the best use of our time.

Posts on social media wash away like sand castles. Meanwhile our websites haven’t been updated in months.

And that’s a shame, since I see so much effort that goes into these social media posts.

So many reflections, insights, big ideas, all finely worded and crafted, all just so 3% of our “followers” might see it.

Instead, we could put that work on our websites.

It’s not about “driving eyeballs to our websites,” it’s about having something on our website worth reading. So when someone is interested enough to click, they can actually dig deeper and find out what you’re about.

Sure, that might “only” be a handful of people, but give me two genuinely curious people per day on my website instead of 100 people at the food court looking for chicken nuggets. That’s why we put our best work on our websites. Our thoughts, photos, ideas, videos become a feed on our own websites, in our own ecosystem, with our own branding and colors and vibes.

Yes, you can use platforms to showcase your work, but those feeds will expire one day. You’ll stop updating X, or walk away from LinkedIn, or Instagram will lock you out of your account, or something else beyond your control.

Smartphones ship with a web browsers, not social media apps.

Amelia Hruby, PHD of the Off The Grid podcast is our guest on this week’s Escape Pod Zoom call.

Social media is all smoke and mirrors:

Adam Mosseri (head of Instagram) testified that the company has “invested hundreds of millions, maybe a billion or two, over the course of my tenure” on creators.

These platforms subsidizing the work of “creators” is the classic “big teddy bear at the carnival” tactics (via Cory Doctorow). Build the illusion by making “successful” contestants, hoping people believe that they can achieve the same thing:

“No one wins a giant teddy bear unless the carny wants them to win it. Why did the carny let the sucker win the giant teddy bear? So that he’d carry it around all day, convincing other suckers to put down five bucks for their chance to win one.

The carny allocated a giant teddy bear to that poor sucker the way that platforms allocate surpluses to key performers — as a convincer in a “Big Store” con, a way to rope in other suckers who’ll make content for the platform, anchoring themselves and their audiences to it.

Sure, you can stick around on social media and play the game, and maybe someday you’ll hit the algorithmic lottery, but please don’t let that become your long term strategy. Lottery tickets make horrible retirement plans.