Category: WebsitesCategory: Websites

On Chelsea Riffe’s In My Non-Expert Opinion podcast, KP Pilley (Ask Jupiter) mentioned Social Media Escape Club (!!!) when talking about the risks of depending on social media to reach your fans.

“I know Seth Werkheiser, who is on Substack and the Social Media Escape Club guy, he has his own RSS feed, so like anytime he publishes anything it like comes to the RSS feed, and I think lives on his website which I like really like as well, and kind of is echoes back to like the old days of the internet.”

This was the second time today I heard RSS brought up, and I am loving it —check out the full episode here.

Today I discovered dominosugarfactory.com, a site built by photographer Noah Kalina. The site features his film photographs of the Domino Sugar Factory building in Williamsburg, Brooklyn from 2008-2013, along with his current photos when he visits his old neighborhood.

I also found rekall via Rodrigo Ghedin, which he describes as “a fairly dose of cyberpunk aesthetics.” Upon further investigation, the rekall site has been updated every night by Steve Gaynor since 2010.

I made a “Website Walk” video based on the new Gourmet Magazine, too, which I found out about via Kottke. Turns out Condé Nast didn’t renew the trademark on the magazine title, so some foodie writers bought it up and relaunched it.

This isn’t a matter of “what’s old is new again,” but rather “what worked, worked.”

Keep your domain name current, and pay your hosting bill every year, and your work survives when a platform goes down, kicks you off, locks you out, or gets bought by Yahoo (we all know how that goes).

Had the honor of being included in Lex Roman’s ‘Should you quit social? 7 entrepreneurs on their social media free strategies‘ article to talk about escaping social media and having a website:

Websites are overlooked as an important foundation for your work according to Seth Werkheiser. “Give them something to devour,” he said, explaining that once someone does learn about you—in whatever way that happens—you want to let them dig into your work as far as they want to go. Without a web presence that you control and with low or no social activity, they’ll hit a dead end too fast.

Let people discover new videos on your website, not just on YouTube. Your newsletter is delivery truck, so deliver your newsletter readers to your website and give your fans room to explore.

Read the full piece here.

You probably don’t need more subscribers, you need to revamp your website. I talked about this on artist Rob Cannon’s podcast almost a year ago.

“Your website should be the sexiest thing you’ve got… use the videos you already made for Instagram. Ninety to ninety-five percent of your fans never saw those anyway.

If you made a video talking about the thing you’re selling, and it lives on Instagram, and you expect someone to be curious enough to click the link in your bio and end up on your site—take that video and put it on the sales page.

Make the sales page the sexiest, most compelling version of the work.”

Listen to full interview with Rob here.

This comment from Zaskoda post, re: Publish on your own site, syndicate elsewhere on Hacker News is gold:

We followed this practice at a Non-Profit I volunteered for some years ago. For us, it was motivated by a few reasons:

– we trained the community around us to look to our website first for the most recent news and information

– we did not want a social media platform to be able to cut us off from our community (on purpose or accident) by shuttering accounts or groups

– we did not want to require our users have accounts on any 3rd party platforms in order to access our postings

Get people used to the idea of visiting your site, guard against losing touch with your audience because a 3rd party site cuts you off, and make your information accessible for anyone with a web browser (not everyone has an account on whatever social media account you’re posting to).

This is absoutely what I’m doing here at Social Media Escape Club – everything gets published to my site first, and bits and pieces (never the full post) ends up on the Substack platform.