Bryan Patton of As The Story Grows runs a successful podcast and deleted his social media accounts.
Bryan now has more time to work on his podcast – he’s doing 2-3 episodes per week now. That means 2-3 more times per week, a band or label or fan could post about the interview on their social media accounts, and someone could discover his podcast for the first time.
LESS TIME ON SOCIALS, MORE TIME FOR ACTION
I joined Twitter in 2006. I was one of the first 3,000 people to sign up for it. But I deleted my Twitter account this year, and now I have time to start hosting weekly Zoom calls with subscribers, which leads to better newsletter posts like this (I hope).
There are only so many hours in a day, so I use them in a way that gives me joy.
Here’s a few things you can do instead of spending hours a day doom-scrolling, or posting to socials for the “likes:”
Email/reply / DM a fan – delight a fan, give them a reason to talk about you with their friends
Work on your art – imagine 10+ extra hours a week honing your craft
Email key people – there are people out there who could help your project flourish (or replenish your soul) – find a mentor, a coach, or someone who’s been down this road already
IF YOU WANT A MAP, VISIT A GAS STATION
There’s no clear-cut way to get off social media and keep promoting your project, but there’s a direction you can travel.
I’d say you’re on that path if you’re reading Social Media Escape Club.
You can follow people like Cody Cook-Parrott who quit Instagram:
“I have had to completely unhook from the algorithm because I have never had lower social media engagement. I have 80K+ followers and often get 300 likes on a post.”
Listen to the Off The Grid Podcast, which is “for small business owners who want to leave social media without losing all their clients.”
Reach out to Bryan and ask him how he left social media, or email me (my email address is at the bottom of this post).
Businesses were built before social media. Bands released vital albums before hashtags. Art and photography existed before Instagram.
It’s scary stepping away from social media, I know. But it doesn’t have to be black and white – you don’t need to delete your social media accounts to be part of this club.
We’re all just trying to figure it out.
Here’s the second clip from Audience Republic, talking about the importance of welcome emails.
Writing this newsletter has been a solo endeavor for about two years, but I’ve switched that up in the past month by starting weekly Zoom hangouts to talk with subscribers about social media, online marketing, and (usually) cats.
I’ve walked away from those calls each week feeling stoked, and used our discussions as starting points for upcoming newsletters.
I do this because I can’t know all the answers, but we learn together.
In a recent video chat, Josh from Úzkost talked about playing a show in a mall.
Whether it’s something like Beth’s Introvert Drawing Club or Josh and his band Úzkost melting faces in a mall, the people in front of you provide the energy.
Do your best to find those people.
They might be in quiet cafes or calm Discord servers or… malls. I’ve met some fantastic people on Twitter earlier this year and by signing up for some online courses.
Maybe your people are waiting for you to carve a space for them.
From The Creative Shift by Dan Blank:
Back when I used to manage a bookstore and cafe in the 1990s, we would run multiple events each week. What would make a great event? 20 people attending. Even an event with 8 or 10 would be a success.
Imagine that your website is a place of refuge for your fans.
Your newsletter is a ray of sunshine for someone.
The magic you create helps someone get through bad times.HINDZ brings calm and peaceful vibes with his YouTube videos. He’s carved that niche for himself, and it’s beautiful.
Make a space for what you do with your website, with your newsletter – the essential online spaces that you can own and control.
Your website can be more than YouTube embeds and Bandsintown tour dates.
Your newsletter can be more than tour JPGs and BUY NOW buttons.
Trust me – your biggest fans will appreciate it.
We have to do marketing, I know.
But how are we fostering community around the things that we do? How does it affect change and expand culture? How do we foster a creative and vibrant space with our work?
Had a great talk with Rod Yates at Audience Republic email marketing.
The first clip is based on a post I wrote in my Social Media Escape Club newsletter, ‘Find out why you should stop promoting your social media accounts in your newsletters.’
Instead of being lonely content machines, we can do cool stuff with good people to help build a vibrant community of people around whatever we’re doing.
In a recent Social Media Escape Club hangout,
Beth Spencer discussed her method of collaborating with artists.
Beth’ Introvert Drawing Club welcomes a guest co-host, the community grows, and everyone has fun – it’s perfect!
This isn’t a “growth hack” or shortcut, though – this is work.
It’s getting away from the “follow me” game, and getting into the “let’s do cool stuff together” mindset.
Because cool people doing cool stuff together can lead to fun things.
For example, I met Laura Kidd earlier this year on Twitter. We connected over our shared appreciation of email lists and a disdain for social media (ironic, I know).
Laura suggested we do a video interview, so we set up our cameras and microphones and made it happen.
Laura shared what she’s learned as an independent artist and emphasized the significance of maintaining an email list. I talked about my experiences with newsletters and online music marketing.
This one interview led to my largest bump in subscribers in the two-year history of this newsletter (thank you, Laura).
Again, bring good people together, make fun stuff, and watch what happens.
Marisa Dabice of Mannequin Pussy talks with Karly Hartzman of Wednesday on the Talkhouse Podcast.
In this chat, these two friends talk about touring, and specifically about how unusual it can feel to perform—and how that can lead to actual tears on stage, not the most fun experience. They chat about the difference between Mannequin Pussy and Wednesday fans, and about the pressure to enjoy your success while it’s happening.
Fans of Mannequin Pussy are going to read that and find out all about Wednesday, and vice versa. See how that works?
Kathryn Calder (of The New Pornographers) talks about making music with Mark Andrew Hamilton (of Woodpigeon) as Frontperson:
What I love about writing together with Mark, is that he always has really interesting ideas, I really trust his taste, and he comes up with ideas I wouldn’t think of. I used to be a little bit more strict about what I wanted things to sound like, and Mark loves keeping the character of sounds, and something I’ve learned to embrace more from working with him is just because something isn’t exactly perfect, that doesn’t mean it needs to be redone. Sometimes the small imperfections are part of what makes something really special.
Dancer and musician Mikayla Geier dropped a short film to accompany her latest single.
She had help making this film from a director/cinematographer, someone scored it, someone else did the animation, and she had help writing it.
And while I don’t think anyone reading has aspirations of being the next Mr. Beast, I think it’s interesting to hear how obsessed he was about figuring out YouTube with a few like-minded people.
I’m not saying you need to Skype your pals from 7am to 10pm everyday, but a 30 minute Zoom call with a few people to “figure things out” couldn’t hurt (see below).
Bring good people together, make fun stuff, and let’s see what happens.
Artist Louise Stigell says, “just because other businesses (are super annoying, and sales-y, and in people’s face, and really eager) in your inbox does not mean that you have to behave that way.”
Many creative folks send boring emails.
It’s mullet marketing, and you have my permission to do way better.
“You can totally do email marketing in a way that is authentic to you, that feels genuine,” says Louise, “that doesn’t feel pushy. Or sleazy.
You can have your entire personality and your integrity intact and you can still make a living doing what you love – because that’s the point.”
We started creating art to break away from the norm. Yet, when trying to get the word out, we conform to what everybody else is doing.
The technology of algorithms, the labels, the gatekeepers, the publishers, the media – none of them can stop you from connecting directly with a fan today via a simple email.
Show up fully in your email marketing.
Make your website as wonderful and impactful as your art.
The opposite of boring and safe isn’t “sign up for TikTok and make dance videos.”
It’s showing up 100% as your true self, and giving fully who you are as an artist.
Flip social media from “come hang” to “you missed out”
The creative community is a wonderful thing, which is why I’ve been hosting mid-week 30-minute Zoom calls with subscribers.
Click play below and hear how a bit of conversation and creative energy led to a fun realization for DJ Shotski, and how to promote her passion for polka in a way that feels sustainable and pure.
Yeah, I think what I’m getting from this conversation is an answer to a question that I’ve been chewing on for a couple of days. Seth, thank you so much.
My mission is to try to get to find people who like this (polka) like I do, but also to inspire younger people, and more people to like this music, that’s so much a part of the history and culture of our state. Right?
So I have the benefit of having this weekly radio program, that now is about to have a ton of potential reach all over the State. Very exciting.
Like, what if, instead of saying, “Here’s an album of the week, like, here’s a spotlight. Look at this cool record. It’s this physical artifact. It’s neat. It’s got a cool picture. It’s got something interesting on the back about the artist. The song is really cool. I want you to tune in, social media people. I want you to tune into my radio show and then maybe sign up for my emails.”
Like, what if I flipped it? What if it was my website, or my email subscriber, saying, “You get to see on Thursday what the highlight album of the week is.
So when you tune in on Sunday, you get to hear the record that I’m talking about.”Right! Give your most exciting content to the people who’ve already bought in FIRST. They signed up, raised their hand, and said I WANT YOU – so give it to them!
And then social media post is the same content, it’s just a post to say, “Hey, look at this thing that I did last week. My subscribers already heard about this, that’s why they tuned into the radio show. You shouldn’t miss out. You should subscribe because this community that I’m building are people who get this, who love this music, who are inspired by this, and who love the same things that I do right.”
So instead of social media being the thing to try to trickle people in, like – flip it.
Social media is the last thing you share about something that already happened. Don’t miss out.I’ve been saying this for a while, “don’t leave your magic at the food court.”
You make all those cool videos and assets for social media, but your website hasn’t been updated in months and doesn’t reflect one bit of the show you’re putting on for platforms that don’t even let you reach your entire audience.
Flip the script – treat social media like a billboard (h/t
Dino Corvino), and drive people to your online space, where you control your messaging, branding, and vibes.
I wrote the HEAVY METAL EMAIL newsletter for about two years, but about ten days ago, I renamed it to SOCIAL MEDIA ESCAPE CLUB.
That new name came about over the last two years, as I was sending 2-3 emails per week.
It started with the SOCIAL MEDIA ESCAPE PLAN, a play on the mighty DILLINGER ESCAPE PLAN. And it just stuck around.
See, I booked a meeting with Sarah Fey of Writers at Work. She had a ton of great suggestions, but near the end of our chat, she suggested a name change. I was hesitant because who likes change?
But in my gut, I knew I was ready for some change.
HEAVY METAL EMAIL certainly points casual observers in one direction, but I don’t want to pigeonhole myself to just the metal world.
My niche isn’t the genre; my niche is “social media mostly sucks, let’s figure out how to spend less time on it.”
Since the name change, I’ve picked up about 25 free subscribers and two new paid subscribers. I’ve also had a few great conversations with fun stuff on the horizon.
Is it just from the name change? Probably not. But the name change and a fresh direction made a few things fall together nicely.
I help creative people quit social media, promote their work in sustainable ways, and rethink how a website and newsletter can work together. Find out more here. 🏳️🌈🏳️⚧️
Join us — start a 30 membership and hop on our next Zoom call meeting!
Trying to figure out your email strategy, grow without social media, maybe not sure what to send to people? I’ve got Email Guidance spots open, and here’s how it works and how to book.
Prefer a focused conversation instead? Book a 1:1 call and we’ll dig into your work together.
Email me: seth@socialmediaescape.club
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