Category: WebsitesCategory: Websites

If you get people to your website, do your best to keep them there. If you’ve got a new video or song to promote, embed it on your own website and link to it from your newsletter and social media.

Direct people where it’ll have the biggest impact – SALES.

Add the piece of multimedia to your site, where you control the branding and layout. Optimize and make it easier for people to pre-order your new product or service, or even to just find out more about YOU.

Because sending to people to YouTube just keeps people on YouTube, which benefits YouTube.

Sending people to Spotify or Apple Music keeps them in the streaming music world.

Get people to your site, give them a reason to stick around, and don’t let that attention go to waste.

Years ago, when I ran Noisecreep for AOL Music, we had the Deftones in for a studio interview.

My pal Gino DePinto took the photo below.

To set the mood, he brought along his CD boombox and put on the band’s debut album ‘Adrenaline’ (yes, this was before Spotify even rolled out in the U.S.).

After the shoot, vocalist Chino Moreno walked past the boombox and pretended to remove the CD and fling it away.

Nobody likes their early stuff, it seems.

What’s this got to do with you setting up a website for your work?

You probably still haven’t set up a website because you’re sure it won’t get 1,000 clicks a day (so what’s the point?), and getting 23 likes on Instagram is just easier (and makes Zuckerberg rich).

Better to skip the whole website thing until you’ve really made it.

Now, I thought of putting together a list of 20 creative folks with their cool websites, but that’s like me putting together a list of 20 photographers and saying, “here, make your photos look like this.”

You’re the artist here, right? The writer? The poet? The instructor? The musician?

Years ago you closed your eyes and imagined your magic in the world.

You’ve created your artistic vision from nothing but imagination, refining your taste and becoming more comfortable with your creative output over the years. Decades.

Now, do that for your website.

Buy a domain at Hover (affiliate link), and try something fancy like Squarespace, Cargo, or Wix.

Just log in, make a free account, and mess around!

Try something weird like Straw. Make a simple one-page site with Carrd. Publish a Google Doc (or Slides) to the web, or a Miro board.

Grab some friends, learn some HTML, and upload your site to site44, Yay.boo or GitHub Pages.

Get together with a friend and build a website! COLLABORATE! Maybe hire or barter with someone to make it?!

Experiment! Play! Try things (you know, just like your art)!

Fill it with your bio, ideas, and videos. Include your wins, press hits, and the nice things people say about you.

“We post all our most interesting photos (on social media), the imagery that shows off our unique, creative spirit, the videos that capture our spontaneous, magical energy.

We won’t put any of those cool images on our website, then we complain that nobody goes to our website.”

You can still post all your work to YouTube and Spotify of course, for the D i S c O v E r Y, but once you have a direct connection with your fans, you can stop sending them to the food court at the mall – a world filled with distractions, cheap snacks, and flashing lights.

“When you drive someone to YOUR site, you control the branding, the vibe, the links, the experience.

When you drive someone to YouTube, your video is now competing with content that is algorithmically alluring to your fan!”

It’s standard practice to send out email newsletters with prominent links to watch videos on TikTok or YouTube, destinations owned by corporations that aim to show as many ads as possible.

They are optimized for this lone purpose, making sure your measly text link in the description or bio is obfuscated, as these companies don’t benefit when sending your fans to anything off-site.

Put your magical, delightful items on your own website. Let people discover you in a space that is purely your own, without hammering yourself into profile pages that just don’t fit right.

Is setting up a website easy? Heck no, but the art and magic you create isn’t easy either, and I believe that if you’ve come this far the hardest part of that equation is already done.

Nothing lasts forever.

Exhibit A: In the 1970s and early 1980s, my musician parents would play at clubs and resorts in the Poconos several nights a week, making good money playing country rock and blues.

On a recent drive through the area, I saw nothing but decay—most everything from that era boarded up, overgrown, and falling apart.

What happened? That shit is just gone.

Exhibit B: You get linked from a big social media account, and some of their followers will click and see your amazing work.

“If you’re wondering about the ever-increasing clamor to leave social media, my newsletter got linked to on X by an account with 247,000 followers,” said  Raziq Rauf in a recent note. It got one click.

What happened? Everyone is posting and screaming for attention, so 1) many people have tuned out, and 2) the social media platforms limit who sees your stuff. Hence, one click.

Exhibit C: Write for a notable outlet. From there, you include that in your “clips” and use that as leverage to write for bigger outlets and build a career.

“So, MTVNews.com no longer exists,” wrote Patrick Hosken on X (here), “eight years of my life are gone without a trace.”

Exhibit C.1: Over 25 years of clips from The Daily Show are wiped out, too.

What happened? This happened with AOL Music’s Spinner.com years ago, too. Once part of the #1 music site in the U.S. back in 2008, it’s all gone. Years of archives weren’t profitable (probably), so they just hit delete and some exec gets a big bonus at the end of the year.

A common theme among all three exhibits is someone else is in control.

It’s not personal, it’s business. Their business.

So what’s our business? How do we work around the inevitable decay in our own creative persuits?

• Are we waiting on a new platform like Cara? If so, can we collect emails on this new platform so we can export them and move on if / when it shuts down or goes sideways?
• What if we start buckling down on our local communities? Are we strengthening our online community with occasional Zoom calls and/or virtual co-work sessions? Phone calls? Can we do this sustainably?
• Are we raising prices? Are we cutting corners or investing in ourselves?
• Does our work require constantly checking our email inboxes? Does that give us life? How could we do this differently? How do we manage the expectations of our availability?
• What if we took all the time we spent making “content” for social media platforms and used it to experiment creatively? “Freed from expectations, what might we make and find?”

I don’t hold the answers. No one does. There is no map.

“If someone needs to understand the way things are, don’t give them a map,” says Seth Godin, “they don’t need directions, they need to see the big picture.”

It’s time we all become enthralled by the big picture, not the analytics.

Let’s stop looking at our stats and fucking email someone.

You know it takes just one email to tank shit, right?

If we get that email from work about being laid off, or we get dumped… one email and boom, our whole life is upended. I got an email recently from my bank and that shit was bummer town.

But it just takes one email to make us jump out of our seats and celebrate.

What if we emailed someone a compliment about their work? Pitched an idea about a project to someone?

We don’t have to wait for these opportunities; we can kick the door down and start making it happen today.

Let’s use our time calmly for a change, without monitoring our output. Making our best work probably doesn’t include punching a time clock.

Get in touch (and keep in touch) with the creative universe right in front of you (and not the open rate metrics from the last 30 days).

Doing all this helps ensure the strength of our creative communities, to withstand the inevitable collapse of the tech bro creator economy complex.

I don’t have the answers to stop the decay, but I bet talking about this stuff freely with other creative folks will help us discover the bigger picture.

Thanks for reading.

Computer-generated “art” is a race to the bottom, and I’m glad we’ve opted out.

Our job is to make what we make with the care of a human mind, drawing upon our experience and talent and passion. Every artist has their own reason, of course.

The consumer has their reasons, too.

Some want the cheapest, so there’s plenty of places to find art made for the everyone, the largest swath of consumers, the safest items you can put in a dentist waiting room, or your kitchen and it won’t upset the inlaws.

Some want the most expensive, the collectors’ pieces, the status that comes with owning a first edition, a rare piece.

Some folks, and I think this is mostly who we serve, care not just about the design but the designer behind it. The art, and the artist who made it. The music, and musician who made the music. The writer who created a whole new world.

It’s a dance to find these people and for them to find you, but it’s a dance worth learning, refining, practicing, and enduring.

It’s not an easy dance, and it’s not a dance where you’re sure to win in the end, but it’s probably the dance we should all be doing because otherwise what’s the point of living?

Social media told us that we’d reach all these people, and for a moment in time, this was true. Every casino has to pay out, or else no one would visit and play. The possibility that we might win keeps us coming back.

But when the casinos puts multiple obstacles in your way before you even get into the building, it’s time to find another game to play.

Is there one answer, one silver bullet, one new app that will return things to normal? No, never. I believe that “centralized kingdoms of power and influence aren’t the answer.”

There’s no one app, service, or medium that will save us all, but we can make this work together (because we’ve been doing it long before the techbros showed up).

Call your friends, book a DIY show, start a flea market, gather some freaks on Zoom or Discord, re-build our scenes from the ground up.

We’re not going back to how it was, we’re building it better.

My friend reminded me how we used to show up at friend’s houses unannounced and crash on couches after a long night of conversation.

Sure, as some of us approach our 50s we’re not gonna do that again, but what’s the new version of that?

What’s the 2024 version of hanging out at the 24 hour diner in town?

You’ve seen people making print zines, right?

Working on websites again and sending newsletters like it’s 2002.

House shows. Thumb drive clubs. Snail mail.

We’re getting back to the simple things with subtle variations, all in our own unique and artistic ways.

Social media rotted our brains on the instant gratification racket.

“I accept defeat,” I repeat after HINDZ from a recent video, “I accept that billion-dollar corporations have invested millions and millions of millions into the psychology and understanding how to keep me on these devices on their platforms, and it works.”

It’s not enough that social media gobbles up our attention – it tricks us into thinking we’re nothing without them.

This is made worse because “the creative status quo has made us lonely content machines.”

We are isolated, working on projects alone in our studios and rooms. We are so in our own heads that when we get together to discuss these things, we can cry.

We’re trying to figure this out on our own, thinking we’ll beat the tech bros with better-crafted hashtags, disguising our “link in bio” text, or churning out vertical videos to appease the social media overlords.

If we just read one more social media strategy guide, or watch more one more YouTube video then we’ll crack the code.

No, thanks.

I’d rather spend my time in deeper connection with good people.

• As writers, we can work with our photographer friends (like Patrick Fellows did here). Or the photographer Wesley Verhoeve who will make black and white landscape photos for “painter Brie Noel Taylor to paint over in color.”
• Cody Cook-Parrott hosts FLEXIBLE OFFICE, where amazing creative people gather on a video call to work on their projects together.
• Carolyn Yoo made a zine called ‘How to keep your hobby from becoming a job’, and it’s brought a bunch of people together in the comment section and in real life – I handed a copy to my creative friend, and she loved it!

Start reaching out to fellow zine writers, artists, photographers, and designers – get on a phone call, plan a meetup, gather in secret in remote parks, commandeer several tables at the local Denny’s, plan your own hyper-niche flea market, write a short skit.

These are things made outside of isolation.

Spending more time around creative people will do us more good than if we just sit on our hands and wait to be saved by the next tech-bro platform to deliver us a new magical marketing machine.

Are we so powerless to change the current situation that we sit back and hope somebody else fixes everything?

And then what? That person will sell the company to a Nabisco+Tide hedge fund subsidiary, and we’ll be back where we started.

Maybe centralized kingdoms of power and influence aren’t the answer.

The answer is other people, community, and the exchange of ideas away from the supposed champions of our “creator economy,” which was here long before the silicon valley dorks showed up.

You can wait for things to change, but reaching your fans on social media will never get any easier. NEVER. I’ve been saying this since 2021.

Find some other weirdos, form your own band of misfits and start having the conversation about living in a post-social media world, ‘cuz baby it’s coming.