Category: Social MediaCategory: Social Media

I ran 1,105 miles in 2020, which took me around 200 hours.

Scrolling 33 minutes daily on your phone adds up to about 200 hours a year, too.

A friend told me recently that they want to start a newsletter, but they don’t want it to become a large time investment.

I told them that their next newsletter “is already written.”

Re-purposing the content you’ve already posted (on social media) means less time thinking about your next email newsletter, and gives you a jump on the creative process.

Once you have everything copied and pasted into your newsletter, you can make expand on some of your ideas, or include some other photos that you didn’t share on socials.

Most of us thought nothing of posting daily to social media, sometimes multiple times per day or per hour when an awards show was on or during a major sporting event.

Most of us have years of archival material to draw from, all tucked away in our social media channels.

Your posts only reach a fraction of your followers. Probably 90% of them never saw any of this material in the first place, so don’t feel bad about re-using your own material – it’s your material!

What could you do with just 30 minutes per day that might benefit you a year from now?

• Learn how to make scenic videos of lakes using a digital camera, Zoom H6 audio recorder, and editing the whole thing in DaVinci Resolve.
• Learning a new technique related to your craft
• Journaling and meditating
• Going for a walk, a bike ride, or go scootering (thanks, Amy Walsh)
• Dancing to your favorite records (R.I.P. mom)
• We think nothing of spending an hour a day on work meetings – what if we spent 30 minutes a day on FRIEND MEETINGS?
• Start a daily 30-minute check-in video call to help everyone stay on track and encourage one another

Sometimes, these things sound like too much, but each day, we have choices: invest in ourselves or create shareholder value for corporate behemoths.

Consider that we don’t think twice about uploading our original photos and text to a platform that sells advertising around our unpaid labor while limiting the number of our friends (or potential clients) who will ever see it, thus incentivizing us to either spend more of our time (a finite resource) on the platform “engaging,” or spending actual money to “boost” our posts so more people might see it.

In a recent newsletter titled “Backstage” (which went out to 10,000+ email subscribers) Tegan from Tegan and Sara wrote about putting out a live album. Maybe release it on vinyl, CD, and cassette, “with a booklet with photos from the tour.”

Then goes on to say:

“Maybe we should hold some stuff back, I suggested, and keep the stories and recordings and photos for that. It would be nice to have images and videos that no one has seen. For social media, for the booklet. Right? Or maybe it doesn’t matter; we share so much content (we = everyone) at this point, who even remembers what’s been posted and hasn’t?”

As I’ve been saying for years, re-use photos from social media in your newsletter because most of your followers never saw them.

The Tegan and Sara Instagram has 470,000 followers, and the last nine posts got an average of 3,444 likes, meaning 0.7% of their fans liked any one of those images.

Two of those posts have over 100 comments. That’s 0.213% of their fans that left a comment, and that’s on a good day.

Mind you, Tegan and Sara are a Grammy-nominated indie pop duo who’ve been making music for over 25 years.

I’m not saying don’t be on social media (well, maybe I am); just lower your expectations of actually ever reaching 10% of your followers.

Understand that posting an IG Reel to your 3,500 Instagram followers will probably be seen by just 250 people, and if 1% click a link, well, that’s a solid two people that might see your offering.

A friend of mine deleted his social media accounts in 2017 or so. He’s played drums for 30+ years; that’s all he wants to do, be a musician.

He joined some bands he found on Craigslist, did some recording gigs with friends on the internet, played a lot of local shows, learned a lot of covers, and made a few bucks.

He just wanted to play drums, you know?

We talked on the phone recently, and he told me of a “secret” group he’s in, with a bunch of other local musicians. They meet once a week and jam and hang out.

This didn’t happen overnight, but now my friend is in multiple local bands, and playing drums all the time with great people. He’s never been happier.

All without a Twitter account or posting crowd shots on Instagram stories.

This is what I meant when I wrote, ‘Social media loses power when we build community in other places.’

Tegan and Sara were here before social media, they’ll be here when it’s gone.
The creator economy existed long before Zuck and Musk showed up.
There was a time when we didn’t speak of our work as “content.”

“Make cool stuff, show it to your friends,” says Rick Rubin. Friends, family, fans. You get the idea.

But if a platform doesn’t let you show your cool stuff to your friends, ask if it serves you anymore. If not, it might be time to rethink things.

You can get away with sparse details about your latest album when you’re BEYONCÉ and you’re riding a white horse and holding an American flag.

Compare that to a post I saw recently on a social media platform:

“Just updated my site, and added some extra goodies. Subscribe!”

Updated your site with what? Photos of fish? Paintings of barns? Poems about frogs?

Extra goodies? Videos of balloon animals? Clown sculptures?

If you’re not telling me what I’m getting, why the heck should I click? Or subscribe?

Remember, you’re up against BEYONCÉ, TMZ, brands with social media teams, Netflix, and Mr. Beast.

If all you can muster is “I updated my site,” lower your expectations. The algorithms are cruel, but it’s nothing personal. Is this fair or kind? No. But playing this game is a choice, and hardly anybody wins.

There is hope, though.

When we put BEYONCÉ on one side of the spectrum and “hey, new song” on the other, there’s a vast expanse in between. A whole realm of possibilities.

Social media rotted our brains on the instant gratification racket.

“I accept defeat,” I repeat after HINDZ from a recent video, “I accept that billion-dollar corporations have invested millions and millions of millions into the psychology and understanding how to keep me on these devices on their platforms, and it works.”

It’s not enough that social media gobbles up our attention – it tricks us into thinking we’re nothing without them.

This is made worse because “the creative status quo has made us lonely content machines.”

We are isolated, working on projects alone in our studios and rooms. We are so in our own heads that when we get together to discuss these things, we can cry.

We’re trying to figure this out on our own, thinking we’ll beat the tech bros with better-crafted hashtags, disguising our “link in bio” text, or churning out vertical videos to appease the social media overlords.

If we just read one more social media strategy guide, or watch more one more YouTube video then we’ll crack the code.

No, thanks.

I’d rather spend my time in deeper connection with good people.

• As writers, we can work with our photographer friends (like Patrick Fellows did here). Or the photographer Wesley Verhoeve who will make black and white landscape photos for “painter Brie Noel Taylor to paint over in color.”
• Cody Cook-Parrott hosts FLEXIBLE OFFICE, where amazing creative people gather on a video call to work on their projects together.
• Carolyn Yoo made a zine called ‘How to keep your hobby from becoming a job’, and it’s brought a bunch of people together in the comment section and in real life – I handed a copy to my creative friend, and she loved it!

Start reaching out to fellow zine writers, artists, photographers, and designers – get on a phone call, plan a meetup, gather in secret in remote parks, commandeer several tables at the local Denny’s, plan your own hyper-niche flea market, write a short skit.

These are things made outside of isolation.

Spending more time around creative people will do us more good than if we just sit on our hands and wait to be saved by the next tech-bro platform to deliver us a new magical marketing machine.

Are we so powerless to change the current situation that we sit back and hope somebody else fixes everything?

And then what? That person will sell the company to a Nabisco+Tide hedge fund subsidiary, and we’ll be back where we started.

Maybe centralized kingdoms of power and influence aren’t the answer.

The answer is other people, community, and the exchange of ideas away from the supposed champions of our “creator economy,” which was here long before the silicon valley dorks showed up.

You can wait for things to change, but reaching your fans on social media will never get any easier. NEVER. I’ve been saying this since 2021.

Find some other weirdos, form your own band of misfits and start having the conversation about living in a post-social media world, ‘cuz baby it’s coming.

Social media is a job we never signed up for, demands our full attention, and nags us to come in our day off.

We’re spinning our wheels on an unending feed of noise, where reaching and growing our fanbase will never get any easier.

Think about it – you’re competing with brands and outlets that employ teams with writers, designers, video editors, and people who handle JUST THE COMMENTS.

These teams are also updating and managing several social media platforms—places where you don’t even exist if you don’t have an account.

I’m saying this is a crappy job.

Maybe tossing promotional paper airplanes into the cyclone of digital content isn’t the best use of our time.

The social media platforms will continue to make it harder for you.

That’s their job.

Every day they place the proverbial cheese just a little bit further and further away, letting you think that if you post a little more often, using varying media types, then maybe you’ll get 10 more followers or seven likes.

Like I said, some brands, bands, and people make it their job to be on all the social media platforms.

So when you choose (let’s say) Instagram, you’re supposedly limiting yourself from millions of other potential new fans.

If you’re “only” on Instagram and wondering how you’ll ever “grow your audience” without it, well, how will you grow without being on TikTok, Facebook, Twitter, Snapchat, YouTube?

It’s like Ricky Gervais arguing the existence of God with Stephen Colbert.

There are 3,000 Gods, and Colbert believes in one.

There are multiple social media networks, and you believe in Instagram.

Ricky Gervais believes in just one less.

I believe in a website and an email list.

If you believe that social media is required, but you only “believe” in one platform, you’ve very close to “not being on social media” already, as you’re leaving out millions of potential new fans that could experience your work for the first time.

Not everyone is on Instagram. Lots of people left Facebook. Twitter has been a dumpster fire for quite some time.

But every smartphone comes with an email app installed.

Every smartphone comes with a web browser.

I leave you with this: your work should be so good that fans share it willingly on their social media networks.

Because that’s the nature of “getting the word out” – you make great work, and show it to your friends.

If it’s good enough, they tell their friends about it, and now you don’t even need to be on TikTok because someone else makes a clip talking about your work, which now brings you in front of a new audience.

But that requires making great work.

That’s your job.

Your job is making great work that people will talk about.