Category: Social MediaCategory: Social Media

I wrote that we spent years putting our best “content” onto social media platforms, and wonder why no one visits our websites anymore, to which Matt replied:

I keep finding my way back to your site because this premise is so enticing. What do you think are the best “top of funnel” strategies for growth if someone really wants to embrace the your name dot com lifestyle? I’m doing music, so I could imagine focusing more on live shows and pen/paper email list sign ups. But then I wouldn’t have met you!

To think of all the people I haven’t met, because I’m not on TikTok, right?

Or because I didn’t go to that local event last Tuesday!

I’ve met some great people on Twitter. Could I have met more great people if I had stayed? Sure, but at what cost?

Would juggling multiple social media accounts over the last few years have helped me become the Seth that I am today?

No way.

What if instead of hoping for favor with the algorithms to achieve more awareness we embrace the serendipity? The realness?

What if less is more? What is enough?

Q. SETH, WHAT DO I EVEN PUT ON MY WEBSITE?

A. Think of the 1,000 posts you’ve put on social media over the last decade. That. That’s what you’ll put on your site.

Those links you send to friends via text? Yeah, put them on your site and write about ‘em. Same with YouTube videos and albums you find on Bandcamp and Spotify.

All those “image assets” you posted on Instagram that 95% of your fans didn’t even see? Put those on your website.

The interviews, and bits of press you’ve gotten? Put them on your website.

Your videos can still reside on YouTube. But they can also sit on your website, surrounded by behind-the-scenes photos and stories about the shoot (and buttons to buy your things).

Stop shoveling all our best work onto platforms you don’t own and then wonder why no one visits your website.

Maybe social media isn’t just a distraction like, while we’re making coffee, but a distraction from how we used to do business.

Years ago we’d set up at craft fairs, local markets, book tours, set up at zine fests and punk rock flea markets, open store fronts – all these wonderful things to enrichen our communities.

But then we’ve spent so much time trying to impress or reach 1000 people every other hour because it somehow worked for other folks who won the social media viral sweepstakes. “Hey,” we thought, “if they could do it, so can I!”

When in fact that viral-ness happened because the platforms were designed to bring in hoards of people and then focus the laser beam of attention on the winner each day.

It was never meant to last, or to benefit the artist. It was meant to increase shareholder value, nothing else.

What percentage of your Substack subscribers have a ★★ or lower activity rating? For me, it’s 65%. Maybe I’m a horrible newsletter writer and that’s why no one reads my publication?

Or maybe Substack greased the wheels to drive subscriptions and give the illusion that they’re a coveted source of enthused readers? This is straight from the social media playbook as detailed by Cory Doctorow’s concept of Enshittification:

First they lure users onto their platforms, then attract businesses who might profit from this newly formed public, and then finally squeeze both for their own profit. Tech giants lure users in with convenience and then degrade their services over time, draining profit at the cost of user experience. In the meantime our public squares have turned somewhere between the mall and a dumpster fire, that is unfit to deal with the problems of our times.

I was looking for a free place to start a newsletter back in 2021. The Recommendations feature rolled out in early 2022. I got lots of subscribers from that! Then Substack Notes came in April of 2023 – like Twitter, but “nicer!”

The subscriptions flowed like water, like a fire hose!

Until it didn’t. I used to get 25+ new sign ups a day, but as you can see above (that 65% of my email audience if dreadfully unengaged), what did that really get me?

(more…)

Stop posting and invite three of your biggest fans to connect.

Resist “getting out the word” to everybody, and reach out to three key contacts.

The element of “this might not work” brings clarity by way of tension, while waiting for an algorithmic break reduces your work to a scratch-off lottery ticket.