Category: Social MediaCategory: Social Media

I didn’t leave social media because I listened to the OFF THE GRID podcast and Amelia Hruby, PHD told me step by step how to delete my accounts, or give me steps 1-10 how I’d find work if I don’t have a LinkedIn account.

I left the social media platforms because Amelia showed that it was possible.

Artist Edgar Fabián Frías, from a recent Off The Grid episode, on leaving social media:

“It’s like we’re all starting to reorient and move in a different direction. And of course it’s gonna take, you know, a lot of different shapes and forms.

But I am just so excited to see like how we start to innovate, ’cause we’re all so creative and, and you know, there’s so many geniuses in our networks that I’m thrilled to see what happens when we start to kind of put our energy in this direction.”

If there’s a map, there’d be no magic to it because it takes away the tension. When there’s no tension, it’s just color by numbers, something to follow, and if it doesn’t work out, you can point your finger and say, “see? I knew it wouldn’t work.”

A new way is possible, and it’s gonna require some work, magic, and community to figure it all out.

We’ll find the new way together, when dipping our feet into a creek, or during the conversation on a long drive home after a show.

I didn’t leave social media because I listened to the OFF THE GRID podcast and Amelia Hruby, PHD told me step by step how to delete my accounts, or give me steps 1-10 how I’d find work if I don’t have a LinkedIn account.

I left the social media platforms because Amelia showed that it was possible.

Artist Edgar Fabián Frías, from a recent Off The Grid episode:

“It happened because she showed that it was possible.  It’s like we’re all starting to reorient and move in a different direction. And of course it’s gonna take, you know, a lot of different shapes and forms.

But I am just so excited to see like how we start to innovate, ’cause we’re all so creative and, and you know, there’s so many geniuses in our networks that I’m thrilled to see what happens when we start to kind of put our energy in this direction.”

If there’s a map, there’d be no magic to it because it takes away the tension. When there’s no tension, it’s just color by numbers, something to follow, and if it doesn’t work out, you can point your finger and say, “see? I knew it wouldn’t work.”

A new way is possible, and it’s gonna require some work, magic, and community to figure it all out.

We’ll find the new way together, when dipping our feet into a creek, or during the conversation on a long drive home after a show.

Amelia Hruby, PHD is a guest on next week’s Escape Pod Zoom call.

Max Pete and I had a nice talk about chasing tech dreams, the rise (or comeback?) of offline community, and how creatives can find balance between being seen online and actually living their lives.

Some solid quotes from Max during this talk:

“The tech dream is a nightmare… more people I talk to that are in this industry want to leave and do something else—like work at the coffee shop, work at Trader Joe’s—but don’t know how to do that or feel like they can’t.”

“As a community professional, we often put ourselves on the back burner… it leads to burnout. My next talk will be about how to take care of yourself while taking care of others.”

It’s okay to be forgotten and not know everything or everyone. You don’t need to be famous or popular or known by everyone to do good work.

I got this question from Leslie recently:

I recently started on Substack after being inspired by Mad Records’ experiment of releasing music outside Spotify. I have a small following and want to build a community I can keep, even if I eventually move platforms. Connection is important to me, but I’m unsure how to offer value or grow my audience. As I explore Substack through tutorials, I’m seeing a lot of concern about the platform shifting towards social media-style features (ads, algorithms, etc.) that may not be ideal for creatives. I’m feeling discouraged. Do you think Substack is still worth the effort for building a community?

First off, as an artist, you are not offering value or growing an audience, you’re making magic and pulling people into your creative orbit.

Second, yes, Substack is veering into social media territory for sure. But right now it’s an effective tool for letting curious visitors sign up for your email list.

So, all that said, time spent on Substack doing anything to attract any amount of readers is time well spent. Finding fans is one thing, but being able to reach those fans is another. If Substack allows you to build an email list of 10 people, well, you get the email those 10 people for the next several years. Every bit of effort here is worth it because of the foundation you build with an email list.

If you’re still using one of those Link In bio services, now is the time to clean it up. My god, I’ve seen some artists with 50+ links in those things. Do you expect fans to dig through all those? More choices just means your fans aren’t even going to click anything.

Consider putting all the things you’re linking to (YouTube videos, music, upcoming appearances, store) on your own website, then just simply linking to your website. One link to rule them all.