Category: Email MarketingCategory: Email Marketing

Megan Thee Stallion launched a website with a killer URL: badbitcheshavebaddaystoo.com

The closest thing I remember in the heavy metal world is that Killswitch Engage timeline website they did back in 2020.

Even without a team or label behind you, you should do something similar.

With a SquareSpace site and a couple of photos you can create a website devoted to your latest project, and make it a legit destination for your fans to eat up.

If mental health is your thing – highlight that.
Or ending domestic violence, or maybe you’re all about suicide prevention.

If you love horror films, science fiction, fantasy, Star Wars – make sure your fans know it.

If you’re waiting for media outlets to do that work for you, good luck. Do the work now, tell your story, promote who you are often and always.

This way you build a fanbase that appreciates what you do and who you are.

Then – on occasion – you get to promote your work. Your new song and video now makes sense, since you’ve spent months building the story and inspiration behind your work.

QUICK BITS:

“You want people to care? Then give them something to care about.”

From Good Fucking Design Advice.

Tonight I watched a live stream as NASA aimed a spacecraft at an asteroid at 13,000mph, then I went outside and looked at Jupiter and a few of its moon with binoculars some 367 million miles away.

And you’re posting “check out our new video” without a screen shot, or crediting the director?

Fuck, 70% of your audience won’t even see your social media posts, and you’re competing with this:

Oh, you got riffs? My dude, I got 50+ years of riffs.

GOOD TWEETS:

My buddy Ben (@blackmetalbrews) bringing the heat, and yes, ‘… And Justice For All’ still rips.

Cover smaller bands, crickets. New song? Mild applause. Someone covering ‘Enter Sandman’ on kazoo? MASSIVE TRAFFIC. It’s a race to the bottom, and I sure a glad I don’t run a music site these days.

QUESTION. I never saw the point of sending an email newsletter when I get better interaction on socials.

MY TWO CENTS: Social media was built to fuel that rush of LIKES and RTs that we call engagement.

You post something, and within minutes someone clicks LIKE. Then another.

Look at that – you got this ONLINE MARKETING thing covered!

But now you’re staring at your phone four hours a day (or more) to “maintain engagement.”

Me? I’d rather spend those hours honing my craft, creating, reading, being out in the woods. I bet you could be taking photos, writing songs, composing, designing.

And I’ll bet you that your link click numbers are much smaller than your LIKE numbers, right?

And how many times did you post an announcement, and then weeks later someone leaves a comment, “oh wow, I didn’t even know about this!”

Yes, you get LIKES, but they’re probably coming from 30% (or even less) of your fans.

What if you could include links to the things you’re trying to sell and promote without being limited by weird rules (no links in an Instagram post), or algorithms?

You can still be on social media, just don’t live there! Use it like the billboard on the highway and drive interest and curious fans to the locations that you own (your website, and your newsletter).

1. Post that cool photo from the show, the event, of your new product on Twitter and Instagram. But post more photos on your website, or in your newsletter. Stop giving all your marketing assets to social media companies!
2. Take your Twitter rants or lengthy Instagram captions and put ‘em someplace that you control. Chances are MOST of your fans never saw your posts.
3. Do you really want to make Reels? Or start using TikTok? Email newsletters work, and so do websites (it’s where all your fans buy concert tickets and merch and read music news).
4. Text will always rule – not everyone can watch your video, or listen to your podcast. But text is easily consumable (fine, except when you’re mowing the lawn), and easily shared.

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QUICK BITS:

“Newsletter growth — or any organic content growth for that matter — isn’t about any one thing. It’s about doing a lot of little things correctly and sustaining that effort over time.”

From ‘The Truth About Growing Your Email List’ over at ‘Thanks For Unsubscribing.’ You can follow my advice and start an email list, but if you just Tweet once or twice for people to sign up and do nothing else, well… it won’t go anywhere. We’ve all be on social media for YEARS (I’ve been on Twitter since 2006). Growth takes time.

“We’re obviously in the pocket, after a year of heavy touring. Our cockiness is on full display when we were invited to sit for an interview with Dave. You’re just kids, aren’t you? he said. We’re babies, you replied. All three of us grinned.”

Tell fucking good stories. Write them down. We’ve got decades of experience and we’re shrinking ourselves into tiny bits on social media every 14 minutes for seventeen likes. Pour your stories and your wisdom into places that you control, that you own, where you control the branding and the experience.

GOOD TWEETS:

People click on things that interest them. So you can still be on socials, but throw a link out there to your own thing – not just an interview on a media site, or a Spotify Playlist. Embed those things on your own site, include a few words about it, and link to THAT. Stop sending all your fans to the food court.

The year 2005 or so was the height of the music blog explosion. Having started Buzzgrinder in 2001, I didn’t really know what I was doing. I just wanted to write about bands that I thought the “bigger sites” weren’t covering.

One day I checked our stats and was surprised to see our post about Warped Tour dates had like 10,000 views in a day, which was huge for us!

Turns out if you Google’d “Warped Tour Dates 2005” our site was near the top of the search results.

I had no clue, but I that’s how we found out how SEO (search engine optimization) worked.

And this is something I stress to all my creative clients – find it out by doing stuff, don’t try to figure it out.

We can plot and scheme and think we have a handle on things, but then when it’s out there in the real world, it’s not ours anymore.

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Before we launched Noisecreep in 2008 (other names we were considering at the time included Vection, Bedlam, and Crank Pit), I wrote out a whole schedule; Tuesdays will feature thrash! Wednesday will be doom! Thursdays will be…

Yeah, then we launched and that went right out the window, and it was entirely okay. We did very well without a rigid schedule like that.

All that to say – you don’t need to plan and figure out a perfect email newsletter strategy. You just need to start it.

Filmmaker Noam Kroll recently wrote (in his newsletter) “How To Not Finish Your Film” (subscribe here):

1. Be a perfectionist
2. Don’t set deadlines
3. Wait to be inspired to work
4. Be afraid of what people will think

The same can be said for starting your email newsletter, or dusting off your old list.

Just like writing a song, or shooting your first live show, those first few

So pick a name, and commit to sending something as often as you can muster, but start something this week, not next year.

You’re going to FIND OUT what works before you FIGURE OUT what works.

Your fans will let you know.

QUICK BITS:

“Just because everyone is telling you to take the highway, doesn’t mean you can’t take the side roads to get to where you want to go.”

From Maria Bowler’s email newsletter. Just because everyone is saying you need to be on TikTok (even though you haven’t posted anything in Twitter to your 1,943 followers in a year), doesn’t mean you MUST.

“Comparison anxiety is a common phenomenon that can be heightened through our access to the lives of others via social media. Seeing a rose-tinted view of another’s life may lead us to believe that everyone else is happier, richer, or more successful than we are.”

Don’t compare and despair – you’re right where you need to be (via Ness Labs)

It’s not IF Instagram implodes and you stop posting there someday (just like Facebook, and probably Twitter), but WHEN. And when that day comes, you lose access to all those fans that clicked “follow.” Today’s the day to start up that email list.

QUESTION: I had a large mailing list it got 10% open rate / 1% click rate and was far more work than social media. So same reach w/o reaching new fans. Is it worth it? Younger crowds don’t even do email.

MY TWO CENTS: With a 10% open rate and a 1% click rate it just sounds like people were getting an email they didn’t care about.

Is there a hack, or technique, or process you can implement to fix that?

Yes. Send better emails.

This might mean that your email isn’t for EVERYONE. You can’t impress EVERYONE, not even all your fans.

Some love you and will buy your all your stuff, and some will like occasionally like your Tweets. There’s a difference.

So don’t tell your fans you’re sending out UPDATES. You’re an artist, a guitarist, a photographer, a painter, a writer, a producer – and you’re telling me you’re selling your magic as just “updates?”

We’ve got enough brands to “follow” and get updates from.

1. Maybe save some of the 9000 image you give away to social media companies every day and use them as a “lead magnet” for your email newsletter. Sort of like, “like these? Join my newsletter for more.”
2. Tell a story. Remember, you are someone’s HERO. You’re an inspiration. So tell some stories about who you are, and how you got where you are today.
3. Low number of clicks? Sell it with more than just “watch my new video,” or “listen our new song.” Include screen shots from the video, or an animated GIF like this one I made of Slash from ‘November Rain’!
4. As for “younger crowds don’t even do email.,” pop star Olivia Rodrigo recently sent a hand-written note to her email list, and it’s not on any of her socials (as of me writing this). So do something special for your fans! Anyone can include a fancy designed “new album, pre-order now” square image in their newsletter – but what can YOU do for your fans that no one else can?

Stop shoveling all your creative energy into social media platforms that will someday implode and leave you with nothing. Use your existing social audience to build your email newsletter audience, so when these companies disappear, you’ll still have access to your fans.

QUICK BITS:

“Our reach on social media is basically terrible… we’re going to run flash 50% off sales… the codes will be send to all of our newsletter subscribers.”

Church Road Records started doing their own order fulfillment (due to rising costs), and they’re looking to grow their email list because reaching their fans on social media is hard – even when you happen to be in a band as big as Employed To Serve!

“It’s rarely a single tactic that drives growth. Over time, if you do a lot of little things — creating good sign-up pages, making it easy for readers to share newsletters with friends, testing out both on- and off-site acquisition tactics, etc. — you’ll have a good chance to grow a big, engaged newsletter list.”

This bit from ‘Not a Newsletter: A Monthly Guide to Sending Better Emails’ rings loud and true. It’s the things you try, tweak, stop doing, try again, and figure out along the way that will get people on your email list.

“In the future all advertising gets replaced by content creation.”

I loathe the term “content creation,” and the idea that “all traditional brands are gonna die,” is pretty bold – BUT… I think of someone like Craig Reynolds of Stray From The Path and how he’s doing amazing things with the Downbeat brand, and it’s all driven by… Craig Reynolds.

Which leads to…

So the The Wall Street Journal got their hands on an internal document from Meta (the Facebook people, and owners of Instagram) titled ‘Creators x Reels State of the Union 2022,’ and it’s a doozy:

“It said that Reels engagement had been falling—down 13.6% over the previous four weeks—and that “most Reels users have no engagement whatsoever.”

Making video content is hard work.
Writing an email is easy (if you use the right tool for the job).

Some of us (yeah, me included) have been working the social media game for over a decade. Hell, I ran Skull Toaster on Twitter (@skulltoaster) for SEVEN YEARS (nerdy metal trivia from 2011-2018).

But that bled into Metal Bandcamp Gift Club, which started in 2016, and we’ve helped sell 1000s of albums since then. We moved the operation from Twitter to an email list in 2019, and grew to 200 subscribers with a 40%+ open rate.

No dancing. No video. No trends.

It takes maybe an hour a week to send out our emails, and we send an email whenever there’s a birthday. Then people (usually) buy music for people they don’t even know.

It grows because the people involved talk about it with their friends.

All that to say; you make magic, too.

You’re in a band, you’re a photographer, you interview musicians, your record albums; you have stories, and tales, and experiences that some people dream about. The mundane part of your journey is someone’s fantasy world.

So don’t just copy and past your tour dates into your next “email blast” – include some of the (probably) 900 photos you posted on Instagram in your next email newsletter, and write about something funny, or tragic, or wonderful that happened on the road.

Got to shoot a band at a small club? Don’t just put the photo on socials with a few bullshit hashtags.

Tell people to sign up for your email list to hear the full story about how you broke down on the way to the show, but you caught a ride with a bunch of circus clowns, and they dropped you off at the show in a car shaped like a hot dog.

The work you’re doing is amazing and deserves more than 12 likes, which just disappear the next day as the algorithm growls like a hungry dog expecting to be fed more “content.”

Fuck Reels, start an email list.

QUICK BITS:

“One of the most common mistakes new publishers make is to go after the widest possible audience. Just because you have a large audience, it doesn’t necessarily mean they will be willing to pay. Often, it’s the smallest segments that have the highest reason and ability to pay.”

Don’t be dismayed that only seven people clicked through from your email – this is the seven people that cared enough to click a link. Socials have skewed our expectations so much!

“For any gamers out there, one of the oldest tricks in the book is giving your younger sibling an unplugged/disconnected controller, so they feel like they are “playing”, while you are in control the whole time.

Many “jobs” today are simply unplugged controllers. The work would get done, whether or not we take part in the process. We are simply moving numbers, smashing buttons, and staying busy, with no regard for actual productivity.”

Social media has us “working” four hours a day creating content and “engaging,” all the while our posts aren’t even seen by 70% of our fans. The article above is about “quiet quitting” in the work world, but I think doing all the online marketing work for our projects with such minimal gain is also disheartening.

GOOD TWEET:

Sure, I could give tips for subject lines and Mailchimp hacks, but I’d rather write like I do and get you sharing your journey about climbing riff mountain instead.